展览
1988年11月9日
Ludwig Museum, Cologne / Musée de l’Elysée, Lausanne
Reinhold Mißelbeck
curator for photography and new media at the Museum Ludwig, Cologne
Selection - Ninth November Night
Installation between Museum Ludwig and the Dome of Cologne
“Helnwein” ‘Ninth November Night’”, Ludwig Museum - Cologne/Musée de l’Elysée - Lausanne 1988, text by Reinhold Mißelbeck, Simon Wiesenthal, Charles-Henri Favrod and Heiner Müller.
Neunter November Nacht (Ninth November Night)
scanachrome on vinyl, 1988, Installation between Ludwig Museum and Cologne Cathedral, Cologne, each panel 370 x 250 cm, 146 x 98"
INSTALLATION "SELEKTION - NINTH OF NOVEMBER NIGHT" BETWEEN LUDWIG MUSEUM AND THE DOME OF COLOGNE
09. November 1988
Ludwig Museum, Cologne
A 100 meter wall of pictures between between Museum Ludwig and the Dome of Cologne, 1988
With the Installation "Ninth of November Night" Gottfried Helnwein wanted to remind us of the "Reichskristallnacht"( "Cristal Night"), November 9th to 10th, 1938.
He has consciously foregone using documentary archive material. He is chiefly interested in the attitude behind the catastrophe, the roots of the holocaust - the delusion that one is able to measure the worthiness or unworthiness of humans by the form of the nose and ears, by the hair and colour of the eyes.
The perverse "healing precept of the chosen Nordic race", which vouched for the pure and the good, and described a whole gamut of lives not worth living, and which were considered to be the source of all evils such as crime, immorality and even illness. The cleansed of inferior genotypes.
For a long time Gottfried Helnwein has been occupied in his work with the theme of fascism and violence. In his installation "Ninth November Night", he has made use of a rather subtle, and perhaps because of this, a particularly moving language. He confronts the passers-by with larger-than-life childrens' faces in a seemingly endless row; children as if made to "line up to be sorted" in a concentration camp.
Placed, so to speak, opposite these faces, which force the observer into frontal eye contact, is the enlargement of a schematic illustration from the "Text Book of the Sub-Human" - "shapes of buttocks; A. of the lower B. of the higher race."
GOTTFRIED HELNWEIN, Ninth November Night, 09. November 1988
Reinhold Mißelbeck,
Curator for Photography and new media, Museum Ludwig cologne
REICHSKRISTALLNACHT - NIGHT AND FOG
Charles-Henri Favrod,
Musée de l'Elysée Lausanne
THOUGHTS
by Simon Wiesenthal
Black Mirror
Heiner Müller über Gottfried Helnwein




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