 |  |  | |  | |  | |  | |  | |  | |
|
|||||||||||||||||
| | |
|||||||||||||||
| | | |
||||||||||||||
| | |
|||||||||||||||
| | | |
||||||||||||||
 |  |
 |
1999
Museum of Lower Austria
Peter Zawrel
Chief Curator, Lower Austria County Museum of Art Installation and one-man show
In the Dominican church, Krems
catalogue
essay by Wolfgang Bauer ... 
|
| |
 |
01. 六月 1997
The State Russian Museum, St. Petersburg
Palace Edition
Retrospctive in the The State Russian Museum, St. Petersburg
Monograph
texts by Alexander Borovsky, Curator for Modern and Contemporary Art Peter Selz Klaus Honnef William Burroughs Heiner Müller ...
|
| |
 |
1997
The State Russian Museum St. Petersburg
Monograph
Alexander Borovsky
Curator for Contemporary Art, State Russian Museum, St. Petersburg Russian Edition
texts by:
Alexander Borovsky Curator for Contemporary Art at the State Russian Museum, St. Petersburg THE HELNWEIN PASSION Peter Selz Professor Emeritus, Department of Art History, University of California, Berkeley. Former Curator at the Museum of Modern Art in New York and founding director of the Berkeley Art Museum. HELNWEIN: THE ARTIST AS PROVOCATEUR Klaus Honnef Curator for Contemporary Art at Rheinisches Landesmuseum, Bonn THE SUBVERSIVE POWER OF ART Evgenija Nicolaevna Petrova Chief Curator of the State Russian Museum, St. Petersburg THE METAPHORICAL PRINCIPLE OF GOTTFRIED HELNWEIN ... ...
|
| |
 |
10. 八月 2000
Los Angeles County Museum of Art
Robert A. Sobieszek
Curator of Photography, Los Angeles County Museum of Art Photography and the Human Soul, 1850-2000
Historian Peter Selz has compared Gottfried Helnwein's tortured, screaming, and bandaged self-portraits to Messerschmidt's sculptural self-portraits,
but the artist has said, " The reason why I took up the subject of self-portraits and why I have put myself on stage was to function as a kind of representative. There is nothing autobiographical, no therapy, and it says nothing about me personally. .... I am always available as a model." ...
|
| |
 |
27. 十一月 1999
Museum Ludwig, Cologne
Catalogue, Salon Verlag
The Gruber Collection, Cologne
Das von der Photographie geprägte Jahrhundert
Die Ausstellung präsentiert vierzig ausgewählte Statements großer Photographen des 20.Jahrhunderts:
von Cartier-Bresson, Lebeck, Chargesheimer bis zu Klauke und Helnwein wird jeweils eine bedeutende künstlerische Position gezeigt. Die Ausstellung konzentriert sich nicht auf das Einzelbild, sondern komponiert ganze Werkgruppen zu großformatigen Tableaus und unterstreicht so den "journalistischen Aspekt" in der Photographie dieses Jahrhunderts. Einen Abschluß findet dieser Jahrhundertrückblick in drei künstlerischen Positionen, die in sehr persönlicher Weise Stellung zur gesellschaftlichen Situation beziehen: Jürgen Klaukes "Self Performance" (1972/73), Philip Pococks Berliner Szenen (1982) sowie Gottfried Helnweins "Poems" (1998). ...
|
| |
 |
1997
Museum für Neue Kunst, ZKM (Zentrum für Kunst und Medientechnologie), Karlsruhe
Katalog, Prestel, München, New York
Heinrich Klotz
Direktor, Museum für Neue Kunst, ZKM, Karlsruhe Mit Beiträgen von Horst Bredekamp und Ursula Frohne
(Auszug)
In seinen Gemälden und Grafiken arbeitet Helnwein besonders in der Mitte der 80er Jahre gleichzeitig mit unterschiedlichen Techniken: Abstrakte, gestische und monochrome Malerei stehen neben Fotorealistischen Porträts, Aquarell und Zeichnung neben Fotografie, die er zum Teil stark überarbeitet. Dabei integriert er Bildzitate aus Politik, Massenmedien und Trivialkultur. Bevorzugter Gegenstand seiner Arbeiten sind Kinderbilder, Porträts und Menschen in einem oft trostlosen Stadtraum. ...
Katalog, Prestel, München, New York
|
| |
 |
01. 十二月 1998
Taschen
Volume I + II
Ruhrberg, Schneckenburger, Fricke, Honnef
Edited by Ingo F. Walter Painting, Sculpture, New Media, Photography
Old photographic techniques are currently inspiring artists again while others are experimenting with new techniques:
amongst the latter are William Wegman, Gottfried Helnwein, Toto Frima, Bernhard Faucon, Axel Hütte, Thomas Ruff, Anke Erlenhoff and Candida Höfer. ...
|
| |
 |
1998
Klaus Honnef
Curator for Photography and New Media, Rheinisches Landesmuseum, Bonn
Prestel, München, New York
Die Sammlung der DG Bank Gottfried Helnwein
Helnweins künstlerische Praxis beruht auf der Erkenntnis der grundsätzlich unterschiedlichen Seinsformen von Fotografie und Malerei. Einerseits schöpft er als einer der konsequentesten Multimedia-Künstler überhaupt die spezifischen Möglichkeiten der jeweils verwendeten Medien bis zu den Grenzen ihrer Horizonte aus -- neben Fotografie und Malerei die Zeichnung und die Performance -, spiegelt sie andererseits, aber auch gewissermassen ineinander, so dass sie sich gegenseitig erhellen und ihre Wirkung steigern.
...
Gottfried Helnwein, Die Sammlung der DG Bank
|
| |
 |
01. 九月 2000
The San Francisco Museum of Modern Art
Catalogue
Heather Whitmore Jain
Curatorial Associate, San Francisco Museum of Modern Art CHILDHOOD IMAGERY FROM THE LOGAN COLLECTION' AT SFMOMA
Gottfried Helnwein, "Mickey", oil and acrylic on canvas,210cm x 310cm
...
|
| |
 |
2000
Robert Sandelson Gallery
London
Text by Robert Flynn Johnson
Curator in Charge, Achenbach Foundation for Graphic Arts, Fine Arts Museum of San Francisco one-man show
catalogue
...
|
| |
 |
1998
Evgenija Petrova
Chief curator, State Russian Museum St Petersburg
The State Russian Museum St. Petersburg
Palace Edition The Ludwig Donation
"Child's Head", 1991, Oil and acrylic on canvas, 650x403.5
Pg. 278 The early stages of this monumental head can be seen in Helnwein's widely varied portrayals from the seventies of suffering children, but above all in the Cologne installation of anonymous children's portraits "9th November Night" from 1988. The human face, in particular the child's face, is of great fascination for Helnwein and consequently accounts for one of his central pictorial subjects. The monumental face of a little girl which is introduced here is, as it were, representative of all children. In our adult society oriented towards profit and success, children can almost be described as a fringe group, their interests indeed being observed in a comparatively modest fashion. Against this background, this monumentalizing of the face in connection with the hyperrealistic style of painting is to be understood as an oppressive irritation of our customary experience of perception. Originally the child's head was shown in a Minorite church in Krems, Stein; in fact it was placed at the focal point of a huge early Gothic room which lent the picture a positively sacral tone. ...
|
| |
 |
10. 十月 2000
Albertina, Wien
Ingried Brugger, Angela Stief
painting - Austrian artists now
exhibition-catalogue
Albertina, Wien - 10. 10. 2000 - 18. 10. 2000 Galerie Suppan, Wien - 23.10. - 25.11. 2000 ...
|
| |
 |
10. 十月 2000
canongate books
rebel inc.
Edited by Howard Sounes
The Book Bukowski in Pictures is the first pictorial biography of cult writer, Charles Bukowski. The writer's extraordinary private and public life is illustrated with hundreds of photographs, most published for the first time. Extracts from Bukowski's poetry and prose are sprinkled throughout, together with drawings, cartoons, manuscripts, rare broadsides and personal letters. It features powerful new portraits of Bukowski by leading photographers such as Gottfried Helnwein and Tony Lane, former art director of Rolling Stone, as well as work by R.Crumb. All photographs have detailed captions by biographer Howard Sounes who has also written a powerful introductory text with new revelations gleaned from Bukowski's recently declassified FBI file. The end result is a fascinating life in pictures that will be essential for all Bukowski fans.
...
|
| |
 |
01. 十一月 1999
Prestel-Künstlerlexikon
Gottfried Helnwein
Helnweins Thema ist der malträtierte, unterdrückte Mensch, am beeindruckendsten in einer Serie von mißhandelten und verstümmelten Kinderköpfen (1969). Dieses Thema inszeniert er auch in Fotoserien und Installationen sowie Performances ("Blut für Helnwein", 1972). Nach 1985 kombiniert er großformatige Fotos mit abstrakt-gestischer Malerei ("Der Beweis", 1986). In Helnweins Kunstauffassung offenbart sich ein obsessiver Realismus, der die verdrängte, tabuisierte »Nachtseite« der menschlichen Zivilisation in packenden Metaphern veranschaulicht.
...
|
| |
 |
01. 二月 1999
The Ansel Adams Center for Photography
San Francisco
50 Years of Polaroid Photography
February 1999 - on tour till 2001
started at the Ansel Adams Center for Photography, San Francisco catalogue: Harry N. Abrams, Inc. New York, ISBN 0-8109-4358-1 ...
|
| |
|
1999
Harry N. Abrams
Keith F. Davis
Foreword by Donald J. Hall Fifty Years of Polaroid Photography
... Among others, Joel-Peter Witkin's repugnant, prosthetic-clad Dominatrice, from 1988, is here, as is Gottfried Helnwein's barbaric 1987 Self-Portrait, depicting his own torture with surgical tools. By exploring the simpler technique ...
(An American Century of Photography: From Dry-plate to Digital, Print, book review by Fred Ritchin) 608 pages; 499 b&w and color illustrations; Introductions by Barbara Hitchcock and Deborah Klochko Essay by Deborah Martin Kao Friends of Photography/Harry N. Abrams, Inc., New York 120 pages; 90 color photographs; ...
|
| |
 |
1998
Taschen
Cologne, Lisboa, London, New York, Paris, Tokyo
Angelika Taschen, Gilles Neret
Twentieth-Century Erotic Art
Edited bei Angelika Taschen und Burkhard Riemenschneider
Text bei Gilles Neret ...
|
| |
 |
1997
47. Berliner Festwochen, Hamletmaschine von Heiner Müller in der Berliner Arena
Catalogue
Muffathalle, München 47. Berliner Festwochen, Berliner Arena Ausstattung: Gottfried Helnwein Regie: Gert Hof ...
|
| |
|
1998
Rolling Stone
San Francisco
Jeffrey Nathon Gatten
"[Keith Richards]" (Helnwein, Gottfried) RICHARDS, KEITH—PHOTOGRAPHS
...
|
|
| |
 |
15. 四月 2000
The State Russian Museum St. Petersburg
Evgenija Petrova
Repubblica Di San Marino
( Christ in Russian Art )
catalogue
Antico Monastero di Santa Chiara "E’ sicuramente importante dimostrare, per la prima volta nell’Europa Occidentale, la comune fede in un unico Signore risorto" Mons. Michel Berger ...
|
|  |
| ALL | 2009-2006 | 2005-2002 | 2001-1998 | 1997-1994 | 1993-1990 | before 1990 |
|
Essay by Heather Witmore Jain
