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01. 四月 1990
Medizin+Kunst
2. Jahrgang
F.S.
Der Maler des Menschen als Opfer in seiner Qual
Helnwein zeigt wie nur wenige Künstler in schonungsloser Offenheit und Direktheit den Menschen als Opfer in seiner Qual -- ausgeliefert einer Umwelt voller Bedrohungen. Damit fügt er sich ein in die Reihen so bekannter Maler wie Pieter Breughel, Egon Schiele oder Francis Bacon, die er letzlich in bezug auf ungeschminkte, überzeichnete Darstellungsformen noch weit übertrifft.
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01. 六月 1989
MIZUE,Tokyo, Japan
季刊 夏 SUMMER 1989 No.951
Toshiharu Ito
伊藤俊治 黒い鏡 — ゴットフリート・ヘルンヴァインの世界
Artist of inner Turmoil.
Gottfried Helnwein's works from the 1980's are represented by the self-portraits in his "Black Mirror" series. However, these works reach far beyond the boundaries of the ordinary self-portrait. They reflect the inner wants and desperation which lies within the viewer's own self. Helnwein points out the new form of the modern self-portrait which involves the creator and viewer alike. ...
Gottfried Helnwein, MIZUE, art magazine, Japan
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05. 九月 2003
Université Paris I. Panthéon-Sorbonne
Mémoire de Maîtrise d’Histoire de l'art
Galia Fischer
...
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1996
Thames and Hudson
Los Angeles County Museum of Art
Robert Sobieszek
with an afdterword by William S. Burroughs page 98: portrait by Gottfried Helnwein
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2007
Ludwig Museum - Museum of Contemporary Art, Budapest
Hatje Cantz
From the Traditional Forms of Photography to Auteur Photography
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01. 三月 2006
Chronicle Books
San Francisco
Barbara Thornburg
Photographs: Dominique Vorillon Working Castle: Gottfried & Renate Helnwein
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20. 二月 2006
The Logan Collection
Published on the Occasion of the Exhibition
Exhibition at the Logan Collection Vail
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16. 八月 2005
McGill-Queen's University Press
Le Mois de la Photo à Montréal 2005
Petra Halkes, Gottfried Helnwein’s American Prayer: A Fable in Pixels and Paint.
Edited by Martha Langford A richly illustrated exploration of the imagination in photography featuring the work of over sixty international artists.
Photography and reality are inextricably linked but, whether one is being photographed, making a photograph, or looking at a photograph, photography is an act of the imagination. In nine original essays, art historians and cultural theorists break with photographic tradition to explore the crucial role of the imagination in photography from nineteenth-century studio portraiture to twenty-first-century digital innovations.
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01. 三月 2005
Modernism Inc.
San Francisco
Jonathon Keats
Twenty-Five 1979-2004
Volume 1 - Modern
Volume 2 - Contempoprary ...
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05. 一月 2005
Museum of Modern Art - Ostend
Stichting Kunstboek
Willy Van den Bussche
Bezielde kunst / Inspired Art
Exhibition, Episcopal Seminary, Bruges
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