Works on display include well-known pieces by renowned artists such as Andy Warhol, Allan Jones, Peter Blake, Richard Avedon Gottfried Helnwein and Henri Cartier-Bresson, as well as previously unseen works by Conny Holthusen, Antonio de Felipe, José de Guimares and Ernesto Tatafiore. ...

Vanessa Beecroft, VALIE EXPORT, Nan Goldin, Andreas Gursky, Ilse Haider, GOTTFRIED HELNWEIN, Birgit Jürgenssen, Marie-Jo Lafontaine,Tracey Moffatt, Thomas Ruff, Shirin Neshat, Anne & Patrick Poirier, Lois Renner, Eva Schlegel, Sean Scully, Cindy Sherman, Thomas Struth, és Rosemarie Trockel
2003. március 14 – június 1. ...

Poems and novels, films and photographs, paintings and performances, monuments and memorials, even comics are the cultural forms that engage us with catastrophic and traumatic history.
Through these eyes we have come to know events which defy the possibility of representation. We have come to bear witness to history. ...

In der Schau werden rund 120 zeitgenössische Fotografien von namhaften Künstlern vorgestellt, darunter Herlinde Koelbl, Nick Knight, Anton Corbijn und Gottfried Helnwein. ...

Art Direction: Gottfried Helnwein
Editing and primary director of photography:
Benjamin at the Barbarian Group
Second camera: Charles Koutris
Location: studio Helnwein, Los Angeles ...

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group show
Artists support Nazareth House in Cape Town South Africa.
Nazareth House is a world respected organisation dedicated to the stable and secure care of children in need. The Sisters of Nazareth were asked to care for one HIV baby in 1992 and since then, in their centre and their township outreach programmes, they have looked after more than 250 HIV infected babies and children. ...

Gottfried Helnwein, Patrick Morrison, Bryten Goss and Miguel Arguello. ...

Helnwein
by Mic Moroney
...This unease with, and yet celebration of German-language cutlure continues to inform Helnwein's work, not least in this large piece, "The Silent Glow of the Avant Garde"
Helnwein's painting - both cheekily and totally in homage - appropriates the great paintings, "The Polar Sea" (1824) by the leading German Romantic landscape artist Casper David Friedrich. Helnwein here re-renders the painting in a gloomy, cinematic blue-black duochrome, and hugely magnifies it from its original scale (about 1 metre by 1 metre 30), although the foundered ship still seems dwarfed and pulverised by the splintering ice sheets. It remains a fine example of that particularly Germanic celebration of heroic humanity dashing itself against the majestic cruelty of nature.
Helnwein, in his wry title and borrowing of the image, is suggesting an uncomfortable paradigm behind Friedrich's painting - a perpetual sense of momentous revolution within nature, raw humanity and indeed artistic culture. These ideas pervaded Friedrich's work, as well as that of composer Richard Wagner and philosopher Friedrich Nietzsche - all of whose works were later so mistakenly absorbed into the "superhuman" aesthetic of Nazi ideaology and doctrine... ...

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