Gottfried Helnwein | 媒体 | 因特网 | "WER IST CARL BARKS" BY GOTTFRIED HELNWEIN

Can you fill in the gaps or answer the question marks?
page 1-2? Photo of desk with Barks art, like one half original page for "The Phantom of Notre Duck" (US 60) and sketches. Most of these sketches are published in the book. A drawing of three skating Beagle Boys is only show on the photo.
page 13? Pencil sketch of Donald and nephews looking surprised. Donald is drawn in red and the nephews are drawn in blue.
page 21 Sketch of Daisy's head and a self-portrait of Barks looking gruffly (at Daisy?). Only included in first print
page 23 Two modelsheets of Donald and nephews?
page 64-65 Nine 1972 pencil studies for "Sherrif of Bullet Valley" painting, four of them are detail studies.
page 66 Large pencil study for "Sherrif of Bullet Valley" painting, slightly different pose.
page 75 Pencil sketch of gruffly Scrooge, holding a cane and a money-bag.
page 92 Two 1972 pencil studies for "Flying Dutchman" painting, one of them is a detail study.
page 100-101 Thirty-four pencil sketches of a nephew, most of them are detail studies and four of them Junior Woodchuck poses.
page 106 Pencil study for Carl Barks Library set 1 cover in landscape format. Barks originally intended this drawing as a study for a painting.
page 110 Inked pencil sketch barbecue cover (WDC 250).
page 130 First known Daisy sketch by Barks for cartoon "Mr. Duck steps out", a pencil sketch of Daisy in a ballet pose and three pencil studies of Donald and Daisy for "Mardi Gras before the Thaw" painting.
page 141 Naked woman laying on a bed with a sigaret. Only included in first print!
page 156? Eleven pencil studies of Gyro Gearloose, nine of them are detail studies.
page 220 Unused 1936 gag for "Snow White" film, in which a measuring worm lays out the notches for the bed slats.
page 239 Pencil script page 16 for Junior Woodchuck story "Teahouse of the Waggin' Dragon" (JW 15), also showing an alternate journalist pose which is attached with sellotape.
page 253-262 The Crazy Quiz Show story (WDC 99).
page 269-281 Complete(?) storyboard for unproduced Mickey Mouse cartoon "Northwest Mounted".
page 284 Pencil script page Junior Woodchuck story ("Be Leery of Lake Eery"?).
page 285? Pencil sketch of Donald looking dazed / hazy.
page ... Three 1936 drawings of a little wolve, traced from a model sheet.
Global information Sources

Generated by DVEGEN 2.26 on 25 July 2003

- Retrospective, " Die Ente ist Mensch geworden - Das zeichnerische Werk von Carl Barks" -
Gottfried Helnwein
Neff (Germany) | 1993
monograph,catalogue
text by Gottfried Helnwein.
with an interview of Carl Barks by Gottfried Helnwein on July 11, 1992, Oregon
texts by Roy Disney, Gottfried Helnwein, Carsten Laqua, Andreas Platthaus und Ulrich Schröder
-
The exhibition was shown from 1994-1997 in the following museums:
Münchner Stadtmuseum, München.
Wilhelm Busch Museum, Hannover.
Museum für Angewandte Kunst, Köln.
Museum für Kunst und Gewerbe, Hamburg.
Landesmuseum Mainz, Rheinland Pfalz, Mainz.
Kunsthalle Schwaben, Baden Würthemberg.
Museum Zitadelle Spandau, Berlin.
Ludwig Museum, Schloss Oberhausen.
Städtische Galerie am Fischmarkt, Erfurt.
Städtische Galerie Ravenberger Park, Bielefeld.
-
The show was seen by more than 300,000 people.

Kevin McGowin (review)
www.eclectica.org (Donald Ault, University Press of Mississippi) | 01. July 2003
For me, the real highpoint of Conversations is the 1992 interview with Gottfried Helnwein, the Austrian-born creative genius whom Donald Ault has justly called "One of the greatest conceptual artists of the past hundred years."
His interview engages Barks in a spirit of imagination and play, and Barks responds to it: What if there were a real Duckworld? What would its layout be?
If anyone can take this idea into the 21st century in current available media, it's Helnwein, whose surreal Duck portraits reveal a dark undercurrent probably always present to one degree or other in Barks's own work—Helnwein's ducks are surreal, haunting, yet strangely funny at the same time. A parody of the dark side of the comic, the work reminds one of Chris von Allsburg, WeeGee, Jim Jarmusch, David Lynch, others. And this is just where the influence is most obvious, in paintings of Donald Duck.


		25. 七月 2003 Generated by DVEGEN "WER IST CARL BARKS" BY GOTTFRIED HELNWEIN A Guidebook to the Carl Barks Universe (test) This page contains a list of rare art that is printed in the first print of the German book "Wer ist Carl Barks" by Gottfried Helnwein, either in colour or greyscale. Since I unfortunately don't have the book myself, I could not include all the rare art in the book. Can you fill in the gaps or answer the question marks?


		Generated by DVEGEN 2.26 on 25 July 2003 Can you fill in the gaps or answer the question marks? page 1-2? Photo of desk with Barks art, like one half original page for "The Phantom of Notre Duck" (US 60) and sketches. Most of these sketches are published in the book. A drawing of three skating Beagle Boys is only show on the photo. page 13? Pencil sketch of Donald and nephews looking surprised. Donald is drawn in red and the nephews are drawn in blue. page 21 Sketch of Daisy's head and a self-portrait of Barks looking gruffly (at Daisy?). Only included in first print page 23 Two modelsheets of Donald and nephews? page 64-65 Nine 1972 pencil studies for "Sherrif of Bullet Valley" painting, four of them are detail studies. page 66 Large pencil study for "Sherrif of Bullet Valley" painting, slightly different pose. page 75 Pencil sketch of gruffly Scrooge, holding a cane and a money-bag. page 92 Two 1972 pencil studies for "Flying Dutchman" painting, one of them is a detail study. page 100-101 Thirty-four pencil sketches of a nephew, most of them are detail studies and four of them Junior Woodchuck poses. page 106 Pencil study for Carl Barks Library set 1 cover in landscape format. Barks originally intended this drawing as a study for a painting. page 110 Inked pencil sketch barbecue cover (WDC 250). page 130 First known Daisy sketch by Barks for cartoon "Mr. Duck steps out", a pencil sketch of Daisy in a ballet pose and three pencil studies of Donald and Daisy for "Mardi Gras before the Thaw" painting. page 141 Naked woman laying on a bed with a sigaret. Only included in first print! page 156? Eleven pencil studies of Gyro Gearloose, nine of them are detail studies. page 220 Unused 1936 gag for "Snow White" film, in which a measuring worm lays out the notches for the bed slats. page 239 Pencil script page 16 for Junior Woodchuck story "Teahouse of the Waggin' Dragon" (JW 15), also showing an alternate journalist pose which is attached with sellotape. page 253-262 The Crazy Quiz Show story (WDC 99). page 269-281 Complete(?) storyboard for unproduced Mickey Mouse cartoon "Northwest Mounted". page 284 Pencil script page Junior Woodchuck story ("Be Leery of Lake Eery"?). page 285? Pencil sketch of Donald looking dazed / hazy. page ... Three 1936 drawings of a little wolve, traced from a model sheet. Global information Sources Generated by DVEGEN 2.26 on 25 July 2003


		http://www.seriesam.com/barks/detc_bib_de_book_wer_ist_carl_barks.html


		“WER IST CARL BARKS?” - Retrospective, " Die Ente ist Mensch geworden - Das zeichnerische Werk von Carl Barks" - Gottfried Helnwein Neff (Germany) \| 1993 monograph,catalogue text by Gottfried Helnwein. with an interview of Carl Barks by Gottfried Helnwein on July 11, 1992, Oregon texts by Roy Disney, Gottfried Helnwein, Carsten Laqua, Andreas Platthaus und Ulrich Schröder - The exhibition was shown from 1994-1997 in the following museums: Münchner Stadtmuseum, München. Wilhelm Busch Museum, Hannover. Museum für Angewandte Kunst, Köln. Museum für Kunst und Gewerbe, Hamburg. Landesmuseum Mainz, Rheinland Pfalz, Mainz. Kunsthalle Schwaben, Baden Würthemberg. Museum Zitadelle Spandau, Berlin. Ludwig Museum, Schloss Oberhausen. Städtische Galerie am Fischmarkt, Erfurt. Städtische Galerie Ravenberger Park, Bielefeld. - The show was seen by more than 300,000 people. http://www.helnwein.net/article449.html


		CARL BARKS: CONVERSATIONS- Helnwein talks with Carl Barks Kevin McGowin (review) www.eclectica.org (Donald Ault, University Press of Mississippi) \| 01. July 2003 For me, the real highpoint of Conversations is the 1992 interview with Gottfried Helnwein, the Austrian-born creative genius whom Donald Ault has justly called "One of the greatest conceptual artists of the past hundred years." His interview engages Barks in a spirit of imagination and play, and Barks responds to it: What if there were a real Duckworld? What would its layout be? If anyone can take this idea into the 21st century in current available media, it's Helnwein, whose surreal Duck portraits reveal a dark undercurrent probably always present to one degree or other in Barks's own work—Helnwein's ducks are surreal, haunting, yet strangely funny at the same time. A parody of the dark side of the comic, the work reminds one of Chris von Allsburg, WeeGee, Jim Jarmusch, David Lynch, others. And this is just where the influence is most obvious, in paintings of Donald Duck. http://www.helnwein.org/texts/international_texts/all/article1358.html


		http://www.helnweincomic.homestead.com/ http://www.helnweincomic.homestead.com/